[Vision2020] Tomorrow Never Knows

Thu Jul 26 14:52:37 PDT 2012

The article I pasted in about the 5.1 SACD of "Wish You Were Here," in my
previous response to your post "Tomorrow Never Knows," indicates "Yes," or
at least "Shine on You Crazy Diamond" from "Wish You Were Here."  So now I
know you did not read the article... More on Barrett and "Wish You Were
Here," here:
"You shone like the sun"
http://www.guardian.co.uk/books/2002/oct/06/biography.music

But back to the Beatles...One of my favorite Beatles songs, actually a John
Lennon song, is "Julia" from the "White Album," supposedly about his
mother.  No other Beatle plays or sings on the song, so in some respects it
belongs in Lennon's solo career catalog, and it shows... The song would fit
on the first couple of Lennon solo albums, and no one would guess it was on
the Beatles' "White Album."

Wikipeida says: http://en.wikipedia.org/wiki/Julia_(The_Beatles_song)  "No
other Beatle sings or plays on the song. While Paul
McCartney</wiki/Paul_McCartney>made several "solo" recordings
attributed to the group, dating back to his
famous song "Yesterday </wiki/Yesterday_%28song%29>", this is the only time
that Lennon played and sang unaccompanied on a Beatle track."

------------------------------------------
Vision2020 Post: Ted Moffett

On Wed, Jul 25, 2012 at 2:53 PM, Joe Campbell <philosopher.joe at gmail.com>wrote:

Thanks, Ted. Isn't the title track from Wish You Were Here about Barrett?
> Joe
>
>
>
> On Jul 25, 2012, at 2:19 PM, Ted Moffett <starbliss at gmail.com> wrote:
>
> The best sound for the Beatles albums is potentially the USB 24 bit 44.1k
> FLAC Files offered on the USB stick option.
>
> http://www.head-fi.org/t/470844/beatles-stereo-box-on-usb-stick-shaped-like-a-green-apple
>
> http://www.kompoz.com/compose-collaborate/storyId-1796/p-Apple_No_The_Other_Apple_Releases_Beatles_Catalog_on_USB_Stick/view.story.blog
>
> Amazon says today "in stock... only 9 left" for a mere $255.50 *with FREE
> with Super Saver Shipping*:
> http://www.amazon.com/The-Beatles-USB/dp/B002VH7P4O
>
> Itunes is a joke for all the low rez mp3s promoted encouraging garbage
> sound through crappy Ipod headphones...
> At least https://www.hdtracks.com/ id offering high resolution music
> downloads, but their catalog is limited.
>
> If you want to be sent to music nirvana, try the Genesis album "Trick of
> the Tail" disc remastered in 5.1 SACD surround sound, through an audiophile
> system of course.  Even the DTS 5.1 version of this release is amazing.
> It was very well recorded to begin with, offering astonishing sound on the
> Mobile Fidelity Sound Lab half speed mastered vinyl version.  But this 5.1
> SACD remastered version has ended my skepticism about 5.1 remasterings of
> music originally released stereo.
>
> Also, Pink Floyd's "Wish You Were Here" has been released 5.1 SACD, which
> I would love to hear... But some sources are asking $35.00 a copy!
>
> http://store.acousticsounds.com/d/77001/Pink_Floyd-Wish_You_Were_Here-Hybrid_Multichannel_SACD
>
> From website above:
>
> Is this the biggest SACD reissue in the history of the format? Time will
> tell, but don't bet against it.
>
> *Wish You Were Here*(?) Now you can be. Total lifelike recreation of a
> chart-topping, pioneering, way-ahead-of-its-time blockbuster.
>
> You talk about a title made for multichannel SACD! It's as if they knew 35
> years ago that this format would be available. Finally, technology caught
> up with Pink Floyd. And oh how lucky we all are to still be around to hear
> this legendary studio recording in its full potential.
>
> Pink Floyd chose Acoustic Sounds and Analogue Productions to handle the
> exclusive distribution of this monumental SACD and we are honored and
> thrilled to be a part of EMI's huge *Why Pink Floyd...?* campaign that
> includes remastered CDs, Blu-rays, DVDs, LPs, memorabilia box sets and
> this, the first-ever multichannel presentation of *Wish You Were Here*.
> The SACD also of course includes a stunning stereo mix. And as this is a
> hybrid disc, the record is of course also playable on a standard CD player.
>
> On its release in 1975 *Wish You Were Here* topped the album charts in
> both the UK and the U.S. Reflecting the band's thoughts of the time on the
> music business and exploring themes of absence, Remember when you were
> young, You shone like the sun. Shine on you crazy diamond. Now there's a
> look in your eyes, Like black holes in the sky. Shine on you crazy diamond.
> *Pink Floyd's tribute to Syd Barrett on Wish You Were Here, 1975*
>
> In fact, Barrett, who'd long been absent from the lives of Pink Floyd's
> band members, stopped by the *Wish You Were Here* recording sessions at
> London's Abbey Road Studios unannounced. The reunion - with Barrett
> reportedly appearing in poor mental condition - is said to have been an
> emotionally stirring event for the band, and apparently that encounter
> would be the last any of the band members were ever to see of Barrett, who
> died in 2006.
>
> As they did with their previous release, *Dark Side of the Moon*, Pink
> Floyd made great use of studio effects for this, their ninth album overall.
> The record's winding soundscapes are perfect for the canvas of multichannel
> SACD. Spacious and airy, the record breathes like a living being.
>
> *Wish You Were Here* was selected by *Rolling Stone* as No. 209 on their
> list of "The 500 Greatest Albums of All Time". And that's before they heard
> it like this!
>
> 5.1 surround mix by James Guthrie
> Assistant engineer Joel Plante
> Mastered by James Guthrie and Joel Plante
> Mixed and mastered at das boot recording
> DSD authoring for SACD by Gus Skinas
>
> "...Analogue Productions got the exclusive for the latter's appearance in
> 5.1 on SACD. The results are spectacular, given that the progressive rock
> of the day - this dates from 1975 - was conceived from the outset to
> immerse the listener in sound. Regardless of its surround sound aspect,
> this is a dazzling effort...today's discrete multichannel capabilities
> truly liberate the sound in all of its open and spacious glory." Sound
> Quality: 92% - Ken Kessler, *Hi Fi News*, February 2012
>
> "The Analogue Productions SACD of *Wish You Were Here* offers a premium
> quality compact package and the rapturous sound quality of high resolution
> audio...For Pink Floyd Fans, *Wish You Were Here* represents the perfect
> synergy of sonic perfection, lyrical emotion and instrumental proficiency.
> Deservedly so, *Wish You Were Here* now joins *Dark Side Of The Moon* on
> the Super Audio CD format, offering Pink Floyd fans the quintessential
> audiophile listening experience. Highly recommended!" - Paul Powell Jr., *Brain
> Damage*, December 2011
>
> "...I was simply struck with the new-found ability to listen to what is
> essentially the master tape, without any flaws or compromises in the
> tranlation from storage medium to sonic image. In other words, I was
> hearing the choices that the musicians and engineers had made during the
> recording process, fully un-obscured. Wow!" - Ken Langford, *Brain Damage*,
> December 2011
>
> "...There really aren't words for how spectacular, and how musically
> right, Guthrie's remix was and the quality imbued in every bit of this
> production...I have been hearing this music since the day it arrived in my
> local record store 35 years ago and never imagined anything like this.
> Guthrie's expert, musically impeccable multichannel remix added depth and
> clarity to the superb original, and how he got Richard Wright's ARP string
> to orbit the room several feet above my heard has to be the result of some
> sort of voodoo...Mind-boggling." - Paul Bolin, *The Audio Beat*, November
> 3, 2011
>
> "...If ever an album was made for surround replay, *Wish You Were Here *was
> it. Originally conceived with a Quad mix in mind, the massive scale and
> bandwidth demands of the album reinforce the benefits of the multichannel
> format. If ever a record should have been labeled 'PLAY LOUD,' this was it,
> and five channels of amplification, five speakers and the underpinning of a
> serious subwoofer might not be essential, but they certainly add to the
> effect. Regular Floyd producer Guthrie has created a tasteful and effective
> 5.1 mix that actually succeeds in adding to the music, the special
> embellishments and immersive quality simply extending the sense and impact
> of the event...I can assure you that you'll not be disappointed...For once
> we have a reissue that stands up to the hype." Music = 5/5, Sound = 4.5/5 -
> Roy Gregory, *The Audio Beat*, November 2011
>
> "...The music may be almost 40 years old, but it sounded fresh because of
> the mix, which used the center and rear channels very effectively, creating
> a true soundscape that was startling at points - especially immediately
> before the lyrics began to 'Shine On You Crazy Diamond' - and mindblowing
> at others. This demo was a potent reminder of how innovative and expertly
> constructed this music was - and that David Gilmour's greatness cannot be
> overestimated. Only such a promising demo could pack a room with press
> during the opening minutes of the show." - Mark Mickelson, *The Audio Beat
> *, October 2011
>
> "...We listened to the entire album, straight through, and without
> interruptions. At the end of the demonstration, it was one wrung-out
> audience…it was like we had been at a concert! Couldn't be better. Clearly
> Chad Kassem's top-notch production values were in play… Chad's work sets a
> global standard for excellence in fine audio that everyone in the music
> business should emulate. Many talk about doing great work; *Chad just
> goes out there and gets it done*… and has for years. If this project is
> an indicator of things to come, I hope that we see the complete Pink Floyd
> catalog issued by Analogue Productions." — David W. Robinson, Postive
> Feedback, Issue 58, November/December 2011
>
> "Storm Thorgerson, who designed Pink Floyd's iconic 1975 album, *Wish You
> Were Here*, returned to the photographs from his 37-year-old artwork to
> create a new package for the Hybrid SACD edition. Now included alongside
> the disc is a hardbound book with a set of postcards. ... Thorgerson says:
> "The album's package was done in the first place to be very image-led, and
> therefore not like The Dark Side of the Moon, which was graphic rather than
> image-y." — Douglas Wok, *Print, *April 2012
>
> Read an in-depth review from pinkfloydz.com here:
> http://www.pinkfloydz.com/wywhsacd.htm
>
> -----------------------------------------
> Vision2020 Post: Ted Moffett
>
> On Tue, Jul 24, 2012 at 10:50 PM, Joe Campbell <philosopher.joe at gmail.com>wrote:
>
> I got the new Beatles album today: Tomorrow Never Knows.
>>
>> Which is to say that I went to iTunes and looked at the song list and
>> made a CD out of songs that I already had since I already had all of
>> the Beatles music to date. And some of them are dead. I did purchase
>> the music video for "Hey Bulldog," which is nice.
>>
>> Tomorrow Never Knows is a pretty good album. I would call it the
>> "Alternative Rock" Beatles Album. But it is only 43+ minutes long! And
>> they left out "Rain," "Happiness is a Warm Gun," and "Don't Let Me
>> Down," which fit perfectly with the theme of the album and are all
>> better than some of the songs that made it. Three songs each from
>> Revolver, The White Album, and Past Masters, vol. 2.
>>
>> I can understand how you might leave off "Happiness is a Warm Gun."
>> But "Rain" and "Don't Let Me Down"? It makes NO sense.
>>
>> Best, Joe
>>
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>
>
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